Shelf List for “Theatrical Commerce and the Repertory
System”
- Barroll,
J. Leeds. Politics, Plague and Shakespeare’s Theater (1991)
- Bayer, Mark, “Moving UpMarket: Queen Anne’s
Men at the Cockpit in Drury Lane, 1617,” Early Theatre,
4 (2001): 138-48
- Beckerman, Bernard. Shakespeare at the Globe (1962)
- Bentley, G. E. The Jacobean and Caroline Stage, 7 vols.
(1941-68)
- — — —, “Shakespeare and the
Blackfriars Theatre,” Shakespeare
Survey 1 (1948): 38-50
- Berry, Herbert. The Boar’s Head Playhouse (1986)
- Bevington, David. From Mankind to Marlowe (1962)
- Blayney, Peter, “The Publication of Playbooks,” New
History of Early English Drama, ed. John D. Cox and David Scott Kastan
(1997): 383-422
- Carson, Neil. A Companion to Henslowe’s
Diary (1988)
- Cerasano, S.
P., “‘Borrowed Robes,’ Costume Prices, and the
Drawing of Titus Andronicus,” Shakespeare
Studies,
22 (1994): 45-57
— — —, “Edward Alleyn: 1566-1626,” in Edward Alleyn: Elizabethan Actor, Jacobean Gentleman, ed. Aileen
Reid and Robert
Maniura (1994)
- Chambers, E. K. The Elizabethan Stage, 4 vols (1923)
- Dessen, Alan. Elizabethan
Stage Conventions and Modern Interpreters (1984)
- — — — and Leslie Thompson, eds. A Dictionary
of Stage Directions in English Drama (1999)
- Dutton, Richard, “Licensing and Censorship,” Companion
to Shakespeare, ed. David Scott Kastan (1999):
377-91
- Foakes, R. A., and R. T. Rickert, eds. Henslowe’s
Diary (1961; Foakes, 2002)
- Greenfield, Peter. “Touring,” New
History of Early English Drama, ed. John
D. Cox and
David Scott Kastan
(1997):
251-68
- Greg, W. W., “The Bakings of Betsy,” The
Library, 3rd Series. II.7 (1911): 225-59
- — — —, ed. Henslowe Papers (1907)
- Gurr, Andrew. The Shakespearian Playing Companies (1996)
- — — —, “Shakespeare’s
Playhouses,” Companion
to Shakespeare, ed. David Scott Kastan
(1999): 362-76
- — — — and Mariko Ichikawa. Staging
in Shakespeare’s
Theatres (2000)
- Harbage, Alfred. Annals of English Drama (1940), or subsequent
editions
- — — —. Shakespeare
and the Rival Traditions (1952)
- Hodges, C. Walter. Enter the Whole Army (1999)
- Ingram, William. The Business
of Playing (1992)
- — — —, “The Economics of
Playing,” Companion
to Shakespeare, ed. David Scott Kastan
(1999): 313-27
- — — —. A London Life in the Brazen Age (1978)
- Jones, Ann
Rosalind and Peter Stallybrass, “The circulation of clothes
and the making of the English theater,” in Renaissance Clothing
and the Materials of
Memory (2001): 175-206
- Johnston,
Alexandra F. and
Margaret Rogerson, eds. York,
2 vols. REED series
(1979)
- Knutson,
Roslyn L., “Marlowe Reruns,” in Marlowe’s
Empery, ed. Sara
Munson Deats and Robert A.
Logan (2002):
25-42
- — — —, “The Repertory,” New
History of Early English Drama, ed. John D. Cox and
David Scott Kastan (1997): 461-80
- — — —. The Repertory of Shakespeare’s
Company, 1594-1613 (1991)
- — — —, “Two Playhouses, Both
Alike in Dignity,” Shakespeare
Studies,
XXX (2002): 111-17
- MacIntyre, Jean. Costumes and Scripts in the Elizabethan
Theatres (1992)
- McMillin,
Scott and
Sally-Beth MacLean.
The
Queen’s
Men
and their
Plays (1998)
- MacLean,
Sally-Beth, “The
Players
on
Tour,” Elizabethan
Theatre
X,
ed.
C.
E.
McGee,
Port
Credit:
P.
D.
Meany,
1988
- Manley,
Lawrence, “Playing
with
Fire,” Early
Theatre,
4
(2001):
115-29
- Nungezer, Edwin. A Dictionary of Actors (1929)
- Rhodes, Ernest. Henslowe’s Rose (1976)
- Scott-Warren, Jason, “When Theaters Were Bear-Gardens; or, What’s
at Stake in the Comedy of Humors,” Shakespeare
Quarterly, 54 (2003):63-82
- Sharpe, Robert B. The Real War of the Theaters (1935)