Editing For Conciseness
The time to begin revising for conciseness is when you
have an acceptable first draft in hand—something that pretty
much covers your topic and comes reasonably close to saying
what you believe about it.
As you go over it, study each sentence to see what, without
loss of meaning or emphasis, can be deleted.
(Delete by crossing out, not erasing:
this saves time, and keeps a record of something you
may want to reintroduce.) Read each paragraph, preferably aloud, to see
if each sentence supports the topic sentence or idea and clarifies
the point you are making. Leave
in the concrete and specific details and examples that support
your ideas (you may in fact be adding them)
but cut out all the deadwood that chokes them:
extra words, empty or pretentious phrases, weak qualifiers,
redundancies, negative constructions, wordy uses of the verby
to be, and other extra verbs and verb phrases…
Extra words and empty words…basically,
significant, situation, factor, aspect, manner, nature, ultimate,
utilization, viable, virtually, vital…
Ex.:
The economic situation of Miss Moody was also a crucial
factor in the formation of her character.
Better: Anne Moody’s poverty also helped form her character.
Weak intensifiers and qualifiers…very,
quite, rather, completely, definitely so…(Paradoxically, sentences
are often more emphatic without intensifiers.)
Note: Always avoid using intensifiers with “unique.”
Either something is unique—the only one of its kind—or
it is not. It can’t
be very, quite, so, pretty, or fairly unique.
Circumlocutions…Roundabout
ways of saying things enervate your prose and tire your reader…
Ex.: I came to the realization that I realized that
She is of the opinion that She thinks
Concerning the matter of About
In the event that
If
For the simple reason that Because
In all cases
Always
Test yourself…
I made contact with
________________________
At that point in time
________________________
It is often the case that ...... ________________________
Redundancy…This term…refers
to unnecessary repetition in the expression of ideas. Unlike repetition, which often provides emphasis
or coherence, redundancy can always be eliminated.
Ex.: Any student can randomly sit anywhere.
Better:
Students could sit anywhere.
Or—Students could choose their seats at random.
BEWARE:
purple in color…round in shape…resulting effect…must
necessarily…the reason why is because (UGH)…free gift…
Negative constructions…
Ex.: After reading the second paragraph you aren’t
left with an immediate reaction as to how the story will end.
Better: The first two paragraphs create suspense.