Bio
Endorsements
Concerts
Workshops & Master
classes
Arkansas
Arts on Tour
UALR
Course syllabi
Contact |
Linda
Holzer is available for workshops, lectures,
competition or festival judging, recitals, and master classes. She
has previously been a presenter at the National
Conference on Keyboard Pedagogy (chair of the Committee
on the Pedagogy Student for NCKP 09 and 07), the College Music
Society
national conference, the Network of Music Career Development Officers
international conference, and various state and local conferences
and festivals.
Adjudication:
MTNA South Central Divisional Competition; Missouri State MTA District
Piano Auditions; Texas MTA District Piano Auditions; Starr Young
Artist
Piano Competition;
Arkansas
Symphony
Orchestra
Young People's Concerto Competition; Arkansas State MTA Piano Auditions;
Durham Symphony Young Artists Concerto Competition, and others.
Workshops
- Pianists
as Entrepreneurs!
A look at how
pianists can succeed in the changing musical marketplace. Successful
career development strategies for piano teachers. Resources for
entrepreneurial thinking for pianists in performance
and teaching.
- Technique
for the Developing Pianist
Suggestions for
cultivating a solid foundation in piano technique, with emphasis
on injury prevention and pain-free playing.
- Healthy
Keyboarding for Computer Users
Injury prevention
through careful computer work station design; ergonomics
from piano applied to computer use.
- Coping
Skills for Performance Anxiety: Building Confidence and Security
Performance
anxiety is a common challenge faced by musicians, athletes, and
others. Learn skills for successfully meeting the challenge,
and increasing enjoyment in performance situations.
- Fun
with Contemporary Music: Introducing 20th & 21st-century
Pieces to Intermediate Students
Contemporary music
can be a favorite part of the lesson for students of all ages. Explore
approaches to introducing 20th and 21st-century repertoire to intermediate-level
players.
Master
Classes
Dr. Holzer works
with students on musicianship and interpretive choices. She embraces
the philosophy of musical wellness, and feels strongly that injury
prevention should be at the heart of piano technique.
For a one-hour
master class with intermediate students, no more than 4 students
should be selected to perform. For addressing advanced repertoire,
it is requested that arrangements be made for a two-hour master class
in order to accomodate 4 or more students.
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